Las óleos de todo Francesco Trevisani
ID Image  Painting (From A to Z)       Details 
70466  
Francesco Trevisani, Dead Christ Supported by Angels
  		 Dead Christ Supported by Angels   Medium Oil on panel Dimensions Expression error: Missing operand for *30 ?? 22 cm
28815  
Francesco Trevisani, Joseph's Dream
  		 Joseph's Dream   mk65 Oil on copper 15 3/8x11 13/16in Uffizi,
28817  
Francesco Trevisani, Madonna Sewing with Child
  		 Madonna Sewing with Child   mk65 Oil on copper 14 15/16x11 13/16in Uffizi,Vasari Corridor,
90728  
Francesco Trevisani, Peter Baptizing the Centurion Cornelius
  		 Peter Baptizing the Centurion Cornelius   oil on canvas, by Francesco Trevisani Date 1709(1709) cyf
30000  
Francesco Trevisani, The Banquet of Mark Antony and Cleopatra
  		 The Banquet of Mark Antony and Cleopatra   mk67 Oil on canvas 25 9/16x24 13/16in Uffizi,Vasari Corridor
Francesco Trevisani
Italian Rococo Era Painter , Capodistria 1656-1746 Rome was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto) Born in Capodistria (modern Koper, then part of the Republic of Venice), he was the son of Antonio Trevisani, an architect, by whom he was instructed in the first rudiments of design. He then studied in Venice under Antonio Zanchi. He moved to Rome, where he remained until his death, in 1678. His brother, Angelo Trevisani remained a prominent painter in Venice. In Rome, he was supported by Cardinal Pietro Ottoboni. He was strongly influenced by Carlo Maratta, as it is manifest in his masterpiece, the frescoes in San Silvestro in Capite (1695-1696). In this commission, he worked alongside Giuseppe Chiari and Ludovico Gimignani. In Rome, he was favored with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in San Giovanni Laterano, but engaged him to decorate the cupola of the cathedral in Urbino. There he represented, in fresco, allegories of the four Quarters of the World, in which he displayed much invention and ingenuity. He was employed by the Duke of Modena, in copying the works of Correggio, Parmigianino, and also painted in Brunswick, Madrid, Munich, Stockholm, and Vienna. He also shows Maratta's influence in the cartoons for baptismal chapel in St. Peter's Basilica, in the oval with Prophet Baruch in San Giovanni in Laterano, and in the Death of St. Joseph in Sant'Ignazio. Trevisani painted scenes from the Life of the Blessed Lucy of Narni in the church of Narni (1714-15).



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